Developing Empathy and Embracing Multiple Ways of Knowing about Ocean
Science through a Participatory Art Process
Abstract
Ocean governance is characterised by social-ecological complexity and
divergence in stakeholder values and perspectives. Meeting the
challenges set out in the UN Decade of Ocean Science for Sustainable
Development will require transdisciplinary approaches that can embrace
multiple ways of knowing to develop shared understandings within
interdependent communities of practice and ensure they can be applied in
interventions that are adaptive, proactive, socially just, critically
reflexive and fit to meet the Decade’s challenges. We present the
outcomes of an innovative participatory art process, the Exquisite
Corpse Project, with the aim of highlighting multiple perspectives, and
developing empathy between participants. We will engage a selected group
of researchers from the emerging ‘Ocean Art-Ocean Science’ community to
explore the topic of marine heatwaves and their impacts based on data
collected in the Northeast Pacific by Ocean Networks Canada and other
sources. Through a facilitated process, participants will create three
pieces of art that will build on each other and will be exchanged
between participants. At the end, all created artworks will be reviewed
by the full group to explore emerging insights on marine heatwaves and
to surface participants’ underlying values and emotions, which is rarely
done in scientific circles where the main mode of discourse employs
rational dispassionate exchange. By creating a fun, emotionally-engaging
process, we aim to show how the Exquisite Corpse project can strengthen
interpersonal bonds, build social cohesion, create opportunities to
surface people’s values and perspectives, and develop new
transdisciplinary insights in a non-confrontational way. This study is
part of an ongoing process exploring transdisciplinary approaches for
multidirectional art-science collaborations and developing new research
methods for including artistic insight and expression within the
scientific discovery process. Instead of the conventional ‘outward
looking’ strategy of many art-science projects translating scientific
outputs to new formats, our approach is primarily ‘inward looking’. We
aim to provide an opportunity for scientists to create art, thus
allowing them to explore their own emotions, values and experiences
through different ways of knowing.